Mount Saint Mary College
Painting
Course Number: ART 2201
Course Title: Painting
Professor: Gary Jacketti
Office Hours: Tues, Thurs before or
after class
e-mail: jacketti@optonline.net
gjac4166@my.msmc.edu
Class Times: Tuesdays, Thursdays 3:45 to 5:05
Required Text: Carol Strickland, The
Annotated Mona Lisa, Andrews McMeel
Publishing, LLC, Kansas City
ISBN: 0-7404-6872-7
Course Outcomes: The objective of this course is to highlight the meaning and
importance of painting in Western Civilization.
The course will investigate the influences and conventions of painting
beginning with the dawn of time and end with Contemporary Art. The students will be introduced to the
various techniques and mediums of painting.
Numerous avenues for this exploration will include studio activities to
engage in watercolor, oil pastel, acrylic, and tempera, as well as lectures,
slide presentations and discussions.
Grading and
Evaluation
This is a pass/fail course.
To pass this course, you will need to complete 10 projects, complete the
5 page paper and take a mid term and final examination covering the materials
and history in the text. Attendance is
mandatory. Three unexcused missed
classes will result in the dropping of the letter grade by 1, 5 absences the
grade will be lowered by 2. I will
evaluate the content as follows:
Mid-Term 15%
Blog 15%
Projects 50%
Final Exam 20%
Division of Arts and
Letters Grading Policy
Points
|
Grade Equivalent
|
Quality Points
|
Meaning
|
100-95
|
A
|
4.0
|
Superior
|
94-90
|
A-
|
3.67
|
Outstanding
|
89-87
|
B+
|
3.33
|
Excellent
|
86-83
|
B
|
3.0
|
Very Good
|
82-80
|
B-
|
2.67
|
Good
|
79-77
|
C+
|
2.33
|
Above Average
|
76-73
|
C
|
2.0
|
Average
|
72-70
|
C-
|
1.67
|
Below Average
|
69-65
|
D+
|
1.33
|
Poor
|
64-60
|
D
|
1.0
|
Passing
|
59-0
|
F
|
0.0
|
Failing
|
Blog
You will be responsible for writing a concise yet academic
comment concerning the lectures and projects.
You will also need to post an academic art image to reinforce your
criticism.
Projects andCritiques
Your finished paintings will be looked at and discussed
critically with your peers. Attendance
and participation is mandatory. This is
one of the most important tools artists use to help reflect and improve their
work.
Mid Term and Final
Exam
The exams will investigate painting throughout art history and
cover the materials and artists covered in the text.
Finish at Least 10 Projects
Readings
Week 1
Introduction: How to Look at a
Painting
The Birth of Art: Prehistoric
through Medieval 2
Prehistoric Art: The Beginning 4
Mesopotamia: The Architects 6
Egypt: The Art of Immortality 8
Greece: They Invented a Lot
More Than the Olympics 2
Rome: The Organizers 16
Week 2
The Middle Ages: The Reign of
Religion 24
Golden Age of Byzantine Art 24
Romanesque Art: Stories in
Stone 26
Gothic Art: Height and Light 28
Week 3
The Rebirth of Art:
Renaissance and Baroque 30
The Renaissance: The Beginning
of Modern Painting 32
The Italian Renaissance 34
The Northern Renaissance 40
The Renaissance in the Low Countries 40
The German Renaissance 42
Mannerism and the Late
Renaissance 44
The Spanish Renaissance 45
Week 4
Baroque: The Ornate Age 46
Italian Baroque 47
Flemish
Baroque 50
Dutch
Baroque 52
English
Baroque 57
Spanish Baroque 60
French Baroque 62
Rococo 64
Week 5
The Nineteenth Century: Birth
of the "ISMS" 66
Neoclassicism: Roman
Fever68French Neoclassicism 69
American Neoclassicism 72
Goya: Man without An
"ISM" 74
Week 6
Romanticism: The Power of
Passion 76
French Romanticism76English
Romanticism 79
American Romanticism and Genre
Painting 81
Realism 83
French Realism 84
American Realism 85
Week 7
Studio Class and Mid
Term Exam
Week 8
Mid Term Critique
Week 9
Birth of Photography 92
Impressionism: Let There Be
Color and Light 96
Rodin: First Modern Sculptor 110
Post-Impressionism 112
Early Expressionism 123
Symbolism 124
Week 10
The Twentieth Century: Modern
Art 128
Fauvism: Exploding Color 130
Twentieth-Century Sculpture: A
New Look 133
Twin Titans of the Twentieth
Century: Matisse and Picasso 134
Cubism 138
Modernism Outside of France 139
Futurism 139
Constructivism 140
Precisionism 141
Expressionism 142
Week 11
Mondrian: Harmony of Opposites 145
Modernist Architecture:
Geometry to Live in 146
Dada and Surrealism: Art
Between the Wars 148
Photography Comes of Age 152
American Art: 1908-40 154
Abstract Expressionism 158
Figural Expressionism: Not
Just a Pretty Face 162
Post-War Sculpture 164
Color Field 166
Week 12
Hard Edge 170
Pre-Pop Art 172
Pop Art 174
Minimalism: The Cool School 177
Conceptual Art: Invisible
Visual Art 178
Photo Realism 187
Neo-Expressionism 188
The New Breed: Post-Modern Art 190
Week 13
Studio Week
Week 14
Presentations and
Final Critique
Week 15
Final Exam
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